Skip to main content

Download Quiche Fonts by Adam Ladd

Download Quiche Fonts by Adam Ladd
Download Quiche Fonts by Adam Ladd Download Quiche Fonts by Adam Ladd Download Quiche Fonts by Adam Ladd

Designed by Adam Ladd, Quiche is a sans serif, stencil and display sans font family. This typeface has fifty-two styles and was published by Adam Ladd.


Quiche is a high-contrast, sans serif typeface featuring ball terminals and angled stems. This 52 font superfamily is a complete branding suite. The 4 subfamilies—Display, Fine, Stencil, and Text—were created to work harmoniously together based on the need.

With weights ranging from thin to black and matching italics, there are a variety of applications that the fonts can be used for: print, web, branding, advertising, magazines, products, packaging, labels, etc.

The design is influenced by the serif didone genre, characterized by its elegance and extreme thick/thins, but it removes the serifs for a unique and modern expression.

The high-contrast style exudes sophistication, while the ball terminals balance it by softening the overall look to make it feel a little more approachable.

For large type settings, like headlines and titles, use Quiche Display, Fine, or Stencil.

The Fine styles have the highest contrast, so their beauty shines at really large sizes.

For smaller type settings, like body copy and decks, use Quiche Text. It has less contrast and looser character spacing, making it a better reading experience at these sizes.

Quiche has many OpenType features, including: stylistic alternates, swash capitals, ligatures, small caps (Text styles only), fractions, subscripts, and superscripts.

This font has extensive Latin language support for Western, Central, and South Eastern European.



Download Quiche Fonts by Adam Ladd Download Now View Gallery


Popular posts from this blog

Download Sequel 100 Black Fonts by OGJ Type Design

Designed by Oliver Jeschke, Sequel 100 Black is a sans serif font family. This typeface has sixteen styles and was published by OGJ Type Design. Download Sequel 100 Black Fonts by OGJ Type Design Sequel 100 Black was designed in 2018 by type designer Jeschke in Berlin. It is based on the sans-serif typefaces of the early 19th century. A characteristic feature of the Sequel 100 is the almost equal thickness of the vertical and horizontal strokes, the horizontally cut endings of the letters a, c, e, g, s, as well as a striking R. Unlike other sans-serif faces, the forms are absolutely clean and the x-height, in the normal thickness gradation a bit higher, in favor of legibility. Sequel 100 Black supports up to 74 languages, from light to bold, with the corresponding italics. Download Sequel 100 Black Fonts by OGJ Type Design Download Now View Gallery

Download Disruptor's Script Fonts by Pinata

Designed by Antonina Zhulkova, Disruptor's Script is a script font published by Pinata. Download Disruptor's Script Fonts by Pinata Disruptor’s Script is the alter ego of our previous project Gentlemen’s Script. Unlike the Gentlemen’s Script, the new font is an elegant rebel and defies traditions. The font is painted with a brush pen, which is especially noticeable in the characteristic shabbiness and different thicknesses of the strokes. While the Gentlemen’s Script is an embodiment of a classic costume, dress shoes and an expensive watch, Disruptor’s Script is a fashionable suit, sneakers, an iWatch and a tattoo that peeks from under the shirt. The font retained the incline, speed and overall sense of dynamics inherent in Gentlemen’s Script, but got a bit more chaotic and unpredictable. This is especially noticeable in the newly added shabbiness, elongated extenders, a large number of contextual alternates and different ligature...

Download Fixture Font Family From Sudtipos

Designed by Alejandro Paul, Fixture is a sans serif font family. This typeface has seventy-two styles and was published by Sudtipos. Download Fixture Font Family From Sudtipos Fixture is our massive 72-font take on plentiful offerings of the late 19th century’s typefaces, posters, and wood letterpress sundry done in the Grotesk genre. Four widths ranging from Ultra Compressed to Expanded each come in nine weights and accompanying italics. Some common sans-serif alternates, such as the a and g, are included in all the fonts. The idea with this design was to put together a workhorse font family with enough functional flexibility to work in multiple environments, from the subtlety of magazine layout or film credits to the visual drama of billboards or packaging. Aesthetically speaking, it is quite interesting — though in retrospect quite unintentional — that each different width and/or weight of this face ended up pulling a different dominant...