Download Relapse Fonts by Fonts by Roland Hüse

Designed by Roland Hüse, Relapse is a grunge and brush display font published by Fonts by Roland Hüse.

Download Relapse Fonts by Fonts by Roland Hüse

Relapse is a 100% handmade and FREE font both for personal and commercial use, even the tool it’s made with is D.

I.Y. which is a folded pen made out of soda can. This font is ALL uppercase characters but the glyphs in place of the lowercase set you find a different version of each letter so you can play around and combine upper and lowercase in order to get the best and more natural result.

The character set covers all Western and Eastern European accents and special characters.

There are some ligatures for : TT FA IJ ST TH TO and a stylistic alternate for letter “O” (underlined “O”) Image credits: Empty Streets by https://unsplash.

com/@impatrickt CD cover: Wall by https://unsplash.com/@icreatelife_ Burning Guitar by https://unsplash.com/@darkrider Again, the font is entirely free to use for all kinds of projects from personal to packaging and branding etc.

However, crediting or donations are always much appreciated. Follow and see more of my work (or for eventual updates in the future on this font) on instagram.

com/rolandhusedesign Have a Great Day and good luck with your creative work! Roland * * * You MAY NOT sell this font or claim them as your own.

You MAY NOT edit or rename this font. You MAY NOT redistribute this font.

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Download Sequel 100 Black Fonts by OGJ Type Design

Designed by Oliver Jeschke, Sequel 100 Black is a sans serif font family. This typeface has sixteen styles and was published by OGJ Type Design. Download Sequel 100 Black Fonts by OGJ Type Design Sequel 100 Black was designed in 2018 by type designer Jeschke in Berlin. It is based on the sans-serif typefaces of the early 19th century. A characteristic feature of the Sequel 100 is the almost equal thickness of the vertical and horizontal strokes, the horizontally cut endings of the letters a, c, e, g, s, as well as a striking R. Unlike other sans-serif faces, the forms are absolutely clean and the x-height, in the normal thickness gradation a bit higher, in favor of legibility. Sequel 100 Black supports up to 74 languages, from light to bold, with the corresponding italics. Download Sequel 100 Black Fonts by OGJ Type Design Download Now View Gallery

Download Disruptor's Script Fonts by Pinata

Designed by Antonina Zhulkova, Disruptor's Script is a script font published by Pinata. Download Disruptor's Script Fonts by Pinata Disruptor’s Script is the alter ego of our previous project Gentlemen’s Script. Unlike the Gentlemen’s Script, the new font is an elegant rebel and defies traditions. The font is painted with a brush pen, which is especially noticeable in the characteristic shabbiness and different thicknesses of the strokes. While the Gentlemen’s Script is an embodiment of a classic costume, dress shoes and an expensive watch, Disruptor’s Script is a fashionable suit, sneakers, an iWatch and a tattoo that peeks from under the shirt. The font retained the incline, speed and overall sense of dynamics inherent in Gentlemen’s Script, but got a bit more chaotic and unpredictable. This is especially noticeable in the newly added shabbiness, elongated extenders, a large number of contextual alternates and different ligature...

Download Fixture Font Family From Sudtipos

Designed by Alejandro Paul, Fixture is a sans serif font family. This typeface has seventy-two styles and was published by Sudtipos. Download Fixture Font Family From Sudtipos Fixture is our massive 72-font take on plentiful offerings of the late 19th century’s typefaces, posters, and wood letterpress sundry done in the Grotesk genre. Four widths ranging from Ultra Compressed to Expanded each come in nine weights and accompanying italics. Some common sans-serif alternates, such as the a and g, are included in all the fonts. The idea with this design was to put together a workhorse font family with enough functional flexibility to work in multiple environments, from the subtlety of magazine layout or film credits to the visual drama of billboards or packaging. Aesthetically speaking, it is quite interesting — though in retrospect quite unintentional — that each different width and/or weight of this face ended up pulling a different dominant...

Dakota Loureiro

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