Download Karlie Fonts by DearType

Designed by Veneta Rangelova, Karlie is a dingbat, script and serif font family. This typeface has eight styles and was published by DearType.

Download Karlie Fonts by DearType

Karlie is a neat combination of a friendly script and a modern all-caps serif in five widths.

The font family is extremely versatile and is perfect for high-end logotypes and magazine headlines, let alone greeting cards, invitations, posters, book covers, ads and the various web and screen usages.

The combination of two different font styles (script and serif) also performs very well on product packaging.

As for the technical side, the Karlie family has extensive language support and includes a handful of ligatures, stylistic sets and swashes that add visual interest to every letter.

We’ve also included some extras with ready-made words and symbols for more design freedom.

The Karlie Font Family in a nutshell: - Karlie - a dancing baseline script with connecting letters - Karlie Alt - similar feel to Karlie, but with disconnected letters - Karlie Serif - a set of five serifs with different widths for a different impact - Karlie Extras - a set of additional designs that will add up to the family’s charm.

The overall feel of the family is a combination of casual and sophisticated, thus making it perfect for modern-day applications.

Download Karlie Fonts by DearType Download Now View Gallery

Download Sequel 100 Black Fonts by OGJ Type Design

Designed by Oliver Jeschke, Sequel 100 Black is a sans serif font family. This typeface has sixteen styles and was published by OGJ Type Design. Download Sequel 100 Black Fonts by OGJ Type Design Sequel 100 Black was designed in 2018 by type designer Jeschke in Berlin. It is based on the sans-serif typefaces of the early 19th century. A characteristic feature of the Sequel 100 is the almost equal thickness of the vertical and horizontal strokes, the horizontally cut endings of the letters a, c, e, g, s, as well as a striking R. Unlike other sans-serif faces, the forms are absolutely clean and the x-height, in the normal thickness gradation a bit higher, in favor of legibility. Sequel 100 Black supports up to 74 languages, from light to bold, with the corresponding italics. Download Sequel 100 Black Fonts by OGJ Type Design Download Now View Gallery

Download Disruptor's Script Fonts by Pinata

Designed by Antonina Zhulkova, Disruptor's Script is a script font published by Pinata. Download Disruptor's Script Fonts by Pinata Disruptor’s Script is the alter ego of our previous project Gentlemen’s Script. Unlike the Gentlemen’s Script, the new font is an elegant rebel and defies traditions. The font is painted with a brush pen, which is especially noticeable in the characteristic shabbiness and different thicknesses of the strokes. While the Gentlemen’s Script is an embodiment of a classic costume, dress shoes and an expensive watch, Disruptor’s Script is a fashionable suit, sneakers, an iWatch and a tattoo that peeks from under the shirt. The font retained the incline, speed and overall sense of dynamics inherent in Gentlemen’s Script, but got a bit more chaotic and unpredictable. This is especially noticeable in the newly added shabbiness, elongated extenders, a large number of contextual alternates and different ligature...

Download Fixture Font Family From Sudtipos

Designed by Alejandro Paul, Fixture is a sans serif font family. This typeface has seventy-two styles and was published by Sudtipos. Download Fixture Font Family From Sudtipos Fixture is our massive 72-font take on plentiful offerings of the late 19th century’s typefaces, posters, and wood letterpress sundry done in the Grotesk genre. Four widths ranging from Ultra Compressed to Expanded each come in nine weights and accompanying italics. Some common sans-serif alternates, such as the a and g, are included in all the fonts. The idea with this design was to put together a workhorse font family with enough functional flexibility to work in multiple environments, from the subtlety of magazine layout or film credits to the visual drama of billboards or packaging. Aesthetically speaking, it is quite interesting — though in retrospect quite unintentional — that each different width and/or weight of this face ended up pulling a different dominant...

Dakota Loureiro

Search This Blog