Skip to main content

Download Berryfield Fonts by Missy Meyer

Download Berryfield Fonts by Missy Meyer
Download Berryfield Fonts by Missy Meyer Download Berryfield Fonts by Missy Meyer Download Berryfield Fonts by Missy Meyer

Designed by Missy Meyer, Berryfield is a serif font family. This typeface has three styles and was published by Missy Meyer.


Berryfield started as an experiment: making a font entirely out of geometric shapes. It started with a couple of circles and a couple of rectangles, and was constructed entirely from those parts, and parts made from those parts! For the uppercase, I took style inspiration from the heavy serif classics like Cooper, Korinna, and Goudy.

But when it came time to create the lowercase set, I took a sharp turn and looked to fun unicase fonts like Pupcat and Pharmacy, creating uppercase-height lowercase letters, in addition to uppercase alternates.

When I finished Berryfield Regular, I liked it so much I made a lighter version (almost like a typewriter font), and a heavier version, to give you even more variety! Each font in the family contains over 520 characters, including over 300 extended Latin characters for language support.

There are also a number of alternate letters to choose from, as well as superscript ordinals (ST, ND, RD, and TH), all of which are PUA-encoded for easy access no matter what design program you’re using.

Berryfield was a ton of fun to make, and I hope you have a ton of fun using it! It’s smooth and easy for both print and crafting; the uppercase alone is straightforward enough for a magazine headline, but combining in the lowercase makes it quirky and fun.



Download Berryfield Fonts by Missy Meyer Download Now View Gallery


Popular posts from this blog

Download Sequel 100 Black Fonts by OGJ Type Design

Designed by Oliver Jeschke, Sequel 100 Black is a sans serif font family. This typeface has sixteen styles and was published by OGJ Type Design. Download Sequel 100 Black Fonts by OGJ Type Design Sequel 100 Black was designed in 2018 by type designer Jeschke in Berlin. It is based on the sans-serif typefaces of the early 19th century. A characteristic feature of the Sequel 100 is the almost equal thickness of the vertical and horizontal strokes, the horizontally cut endings of the letters a, c, e, g, s, as well as a striking R. Unlike other sans-serif faces, the forms are absolutely clean and the x-height, in the normal thickness gradation a bit higher, in favor of legibility. Sequel 100 Black supports up to 74 languages, from light to bold, with the corresponding italics. Download Sequel 100 Black Fonts by OGJ Type Design Download Now View Gallery

Download Disruptor's Script Fonts by Pinata

Designed by Antonina Zhulkova, Disruptor's Script is a script font published by Pinata. Download Disruptor's Script Fonts by Pinata Disruptor’s Script is the alter ego of our previous project Gentlemen’s Script. Unlike the Gentlemen’s Script, the new font is an elegant rebel and defies traditions. The font is painted with a brush pen, which is especially noticeable in the characteristic shabbiness and different thicknesses of the strokes. While the Gentlemen’s Script is an embodiment of a classic costume, dress shoes and an expensive watch, Disruptor’s Script is a fashionable suit, sneakers, an iWatch and a tattoo that peeks from under the shirt. The font retained the incline, speed and overall sense of dynamics inherent in Gentlemen’s Script, but got a bit more chaotic and unpredictable. This is especially noticeable in the newly added shabbiness, elongated extenders, a large number of contextual alternates and different ligature...

Download Fixture Font Family From Sudtipos

Designed by Alejandro Paul, Fixture is a sans serif font family. This typeface has seventy-two styles and was published by Sudtipos. Download Fixture Font Family From Sudtipos Fixture is our massive 72-font take on plentiful offerings of the late 19th century’s typefaces, posters, and wood letterpress sundry done in the Grotesk genre. Four widths ranging from Ultra Compressed to Expanded each come in nine weights and accompanying italics. Some common sans-serif alternates, such as the a and g, are included in all the fonts. The idea with this design was to put together a workhorse font family with enough functional flexibility to work in multiple environments, from the subtlety of magazine layout or film credits to the visual drama of billboards or packaging. Aesthetically speaking, it is quite interesting — though in retrospect quite unintentional — that each different width and/or weight of this face ended up pulling a different dominant...